2022 Gallery

Jim Derby Award of Excellence / BEST OF SHOW “Joey & The Black Eyed Pea” by Danny Kamerath, Llano

This sculpture (The Black Eyed Pea) was carved from a mesquite root burl I excavated to make room for a fence. It took 2 1/2 years of carving to complete. The sculpture needed a pedestal and I decided to make a grid cabinet (Joey) to put it on. Since the sculpture is to be viewed from all sides, the piece has drawers on one side and a cabinet on the opposite side.

The Black Eyed Pea is finished with Danish oil and micro crystalline wax. Joey is finished with four thin coats of wipe on polyurethane, Danish oil and wax.

Art Style.

$40,000

https://dannykamerath.com/

SECOND PLACE “Weeks Rocking Chair” by Gary & Austin Weeks, Wimberly

This 30th anniversary edition of our Rocking Chair is made from Curly Genuine Mahogany selected over several years from our annual supply. This wood is certified by the Forest Stewardship Council to have been sustainably harvested from well-managed forests. The chair is finished in four coats of hard wax oil

Contemporary

$5,500

https://garyweeks.com/

THIRD PLACE and the REX WHITE MEMORIAL AWARD “Parquetry Cabinet” by Matthew Hedgepath Smith, Austin

This Cabinet made from shop-sawn veneer highlights the colors and textures of Texas Elm. The slant of the Parquetry doors mirror one another and suggest the motion in which they travel. The Maple drawers feature hand-cut dovetails and fabric-lined bottoms, with pulls made of ebony. Finished with Oil and Wax.

Dimensions: 9 1/2” deep x 12 1/2 tall x 25 1/2” wide.

Contemporary

$1,600

https://hedgepathwoodworks.com/

BEST CONTEMPORARY “Mid Century Modern Bookcase” by Mike Roberts, San Antonio

This solid wood bookcase is made from rift sawn white oak. The bookcase is 48 5/8” wide, 14” deep and 26” tall. It is mitered at all four corners and sits atop a base with splayed and tapered legs. The entire piece has been sanded smooth and is finished with Osmo Poly X oil in a flat sheen.

Contemporary

$3,300

https://www.mikerobertsfurniture.com/

BEST TRADITIONAL STYLE “Child’s Rocker” by Blake Loree, Waco

This delightful 2/3 size rocker was made almost exclusively with hand tools except for a power lathe used for turning the Maple legs, structures etc. The spindles and continuous arm rail were split from a Texas red oak log and shaved to size with a draw knife and spokeshave. The single board seat of perfectly clear Texas Mesquite (somewhat hard to find!) was carved and drilled with an assortment of specialty hand tools.

The finish is Milk Paint with a lacquer topcoat.

Traditional

$1,950

https://blakeloree.com/

BEST TEXAS STYLE “Bull Skullz” by Wayne Wise, Dublin

After creating my first carved leather bull skull piece, I knew I wanted to do more. The process is quite time consuming due to the intricacy of the detail work. I use only the finest Hermann Oak leather for my carving, and skulls are obtained from The Little Glass Heifer located in Dublin. The skulls are boiled, power washed and sun dried, making them completely pure and clean.

Texas Style

$5,500

https://www.bullskullz.com/

BEST ART STYLE and PEOPLE’S CHOICE AWARD “Grizzly 399” by Wayne Delyea, Granbury

I make furniture & marquetry of things that have meaning to me in hopes it will in turn inspire and have meaning to others. I always design and make the Marquetry first, and while doing so, it somehow speaks to me what kind of piece I should make to display it. Grizzly-399 (her wildlife tag#) lives in Grand Teton and Yellowstone National Parks. She is 26 years old and has had over 20 Cubs in her lifetime. She is the most photographed and loved Grizzly in the world. She has attained Rock Star status and in my opinion, she truly embodies “The Spirit of the West”.

This is my all original design and my tribute to a living legend raising her cubs wild and free in a world where an animal living such a life is continuously more endangered and difficult.

Art Style

$6,700

https://www.waynedelyea.com/

BEST EMERGING ARTIST “Occasional Table” by Lee Ansell, Houston

This small table is patterned after a Japanese antique show in a copy of Fine Woodworking magazine several years ago. The top is made of four pieces of birds eye maple. They are arranged by dowels in a pinwheel pattern around a small accent piece of wood from the tangled roots of a Texas live oak. The legs and skirt are constructed of East Texas walnut. The legs have a gentle taper and the lattice work skirt is joined to the legs by hand cut mortices. The table is finished with a hand rubbed polyurethane/oil blend. This piece is reminiscent of the Japanese influence on the American Craftsman style furnishings of the early 20th Century

Emerging Artist

$800 SOLD!

JOHNNY JONES AWARD FOR CRAFTSMANSHIP “18 Holes” by Joe Adams and Erich Elfeldt, Manvel

“Golf is deceptively simple and endlessly complicated.” Arnold Palmer

This quote is perfect to describe our one-of-a-kind coffee table created for anyone who enjoys spending a little time hitting the links.  A unique piece of functional art, the original design successfully combines sleek modern styling with familiar elements from the game.

The top is Black Walnut and inspired by a golf club head.  The silhouette of a golfer is inlaid using Curly Maple.  Grooves along the top mark the fairway and lead to a recess in the green where you can display your favorite memento ball.  The ball is not attached and can be easily replaced by one special to you.

The base is composed of a chevron leg featuring 18 holes, the piece’s namesake.  It is made from Curly Maple with a Black Walnut stripe to divide the front nine from the back nine.

The opposite leg is shaped like a ball in flight on a flawless line to that elusive magical Ace.  Polished stainless steel is suggestive of a gleaming club shaft and adorns layers of Black Walnut and Curly Maple.

Underneath the top, custom-crafted steel mounting plates provide for wood movement and allow the piece to be disassembled for shipment or storage.  

The steel is professionally powder coated for longevity.

All woodworking was accomplished with conventional shop tools and without the use of a CNC router or Shaper Origin.  The wood finish is a European hardwax oil that has been hand rubbed to a satin sheen.  

Contemporary

$7,500

https://www.timberfire.com/

SAPFM AWARD “Cherry Shaker Candle Stand” by Joe Martin, Fort Stockton

This solid cherry Shaker candle stand finished with several coats of shellac and polyurethane varnish.

Dimensions: 20” round x 25.5” tall

Traditional

$950

FINE WOODWORKING AWARD “Draper Demilune” by Travis Owens, Pflugerville

This contemporary Demilune table is made of book-matched walnut for the top, figured walnut legs, and matching interior and exterior curly maple aprons. The curvature of the front of the table is highlighted by brass rods. This table is constructed with traditional mortise and tenon for the side legs and a bridle joint for the center leg. The finish is hand rubbed Danish oil, with natural furniture wax buffed into the top and brass rods.

Emerging Artist

$7,200

https://tinyurl.com/ArkaTex

UEL CLANTON WOODTURNING AWARD “Whimsy” by Roger Ellison, San Angelo

This coffee table grew from an impulse to explore nascent thoughts of a playful little table. Actually, it grew from a Texas mesquite tree, a Mexican royal ebony tree, and a Canadian highly figured, big toothed maple tree, but the urge to unite them as furniture began as just a whim of an idea. The outer curved edges of the top are of heart-shaped, reversed book matched mesquite; they invite perfectly round legs and gently shaped slats to soften the understructure. Ebony and maple strips provide a striking slash of color and unexpectedness, but the exposed ebony tenons are delightfully surprising. Numerous coats of tung oil based finish called Waterlox have been hand rubbed to complete all surfaces.
Dimensions: 38 1/2” long x 22” wide x 18” tall

Art Style

$4,495

https://www.rogerellison.com/

WOODCRAFT SPONSOR’S AWARD “One Hundred & Twenty” by Matthew Kressin, Austin

Made from solid walnut and hickory, this chair blends designs from more modern Wegner designs and the Arts and Crafts and Art Nouveau movements of the early 1900's. Traditional mortise and tenon and doweled joinery pays homage to the chairs that inspired this piece and insures its structural longevity.

Traditional

$3,900

https://www.sawtoothdesignsofaustin.com/

JUDGES’ SPECIAL AWARD (Precision Saw & Tool) “Mid Century Modern Bar Cabinet” by Manny Haddad, Dallas

This mid-century modern bar cabinet is constructed from solid walnut. It has sev- eral drawers with hand-cut dovetails for glasses and storage, a hanging glass rack, a wine rack, a slot for a cutting board and a compartment for liquor bottles. The cabinet has tambour doors surrounding the outside of the cabinet.

Dimensions: 36” wide x 19” deep x 33” tall

Contemporary

$6,500

JUDGES’ SPECIAL AWARD (Alamo Hardwoods) “Trio of Hearts” by Lou Quallenberg, Llano

Three glass smooth, stylized, removable, ebonized mesquite hearts amid a flow- ing, free-form open sculpture that sits atop a steel pin on a carved, layered mes- quite base. This Heart Sculpture has three removable ebonized mesquite

hearts The finish is extreme hand sanded, oil rubbed with a touch of wax.

Dimensions:

Mesquite & Ebonized Mesquite Sculpture: 22"H x 26"L x 12"W

Art Style

$3,200

http://www.louqart.com/

JUDGES’ SPECIAL AWARD (Alamo Hardwoods) “Twin Cherry Ottomans” by Mancel L Bolton, Belton

Designed as part of a matching nine piece living room set, these twin ottomans are crafted from curly American cherry. The highest quality fabric/padding was used in their “slip seat” construction. Great care went into the selection of the cherry to ensure matching and continuity in the grain. They are finished with an oil/varnish, super blonde shellac and waxed by hand. The intent was to design a simple, yet elegant piece that would adorn styles of homes ranging from traditional to contemporary.

Dimensions: 36” wide x 19” deep x 33” tall

Contemporary

Not for sale

https://www.mlbolton.com/

JUDGES’ SPECIAL AWARD (Artisans Gallery) “Excedo Nesting Side Tables” by Austin Waldo, Austin

These modern nesting side tables are built around utilizing offcuts from the Austin School of Furniture. Individual strips of cherry are joined together to form two different sizes of circular tops resting upon two different sized bases. Sleek shaped legs join with the feet through an angled bridle joint. The feet lift toward the sky at a subtle 3 degrees and intersect the other feet forming a raised focal point below the table. The Excedo Tables are finished with a mixture of tung oil and polyurethane for a satin protective finish.

Contemporary

$1,175 SOLD

https://austinschooloffurniture.com/

JUDGES’ SPECIAL AWARD (Fine Lumber & Plywood) “Lounge Chair” by Diego Zubizarreta Otero, Austin

My first major woodworking project, the Lounge Chair, is a white ash, glue-laminated piece featuring extensive sculpting at armrests, legs, back and seat profiles to create ergonomic forms and a sleek gravity-resisting figure. The structural fram manages to taper to surprisingly thin segments, thanks to lamination. Utilizing six different types of connections, the chair celebrates its craft with half-lap joints, exposed walnut dowels and accent surfaces in white oak veneer and cowhide upholstery.

Emerging Artist

Not for sale

JUDGES’ SPECIAL AWARD (Berdoll Sawmill) “Desk and Chair” by David Bennett, Brenham

This desk and chair features a spalted pecan limb top, white oak and a mahogany base.
Dimensions: 8” long x 30” wide

Texas Style

$20,000

https://www.facebook.com/BennettConstructionWoodworking/

JUDGES’ SPECIAL AWARD (Berdoll Sawmill) “Safari Desk” by Craig Welborn, Austin

The Safari Desk is a mid-century modern design made with Zebra wood, African mahogany and African rosewood. The solid brass fixtures were also made in our shop. The desk features a single drawer.

Dimensions: 73 1/2" wide x 36" deep x 30" tall

Contemporary

$10,000

https://www.welbornwoodworks.com/

“Liz's Fancy” by Robert Suess, Midland

Liz’s Fancy is a TV & entertainment cabinet with DVD storage. It is a custom design built with direct input throughout the build process.

Made from Central Texas pecan, hard maple and hickory, the cabinet has a rustic look with modern hardware including self-closing drawer slides and door hinges. The mountain design on front is a hard maple inlay with saguaro cactus drawer pulls. The drawer sides and framing are hard maple while the drawer bottoms are free floating hickory. The corner and top inlays are also hard maple. The back panel is hickory milled from two 8/4 boards. The exterior is pecan. The lumber was hand selected from the Berdoll Sawmill in Cedar Creek and allowed to rest for one year in my shop in Midland before being cut. The finish on the exterior and drawers is a multiple coat tung oil application to the desired resolve.

An additional feature is the concealed gun drawer, which rises from the back of the cabinet when the push-release mechanisms are activated

Emerging Artist

Not for sale

”Bedside Table” by Brian Wolther, Fort Worth

This Shaker-inspired bedside table is made of curly maple and cherry. The table also features wooden drawer slides, a pegged drawer box and a hard wax oil finish.

Traditional

$800

“Cocktail Table” by Lee Ansell, Houston

This cocktail table is made from an unusually large, roughly oval live-edge slab of mappa burl from the black European poplar tree. An external agent causes deranged growth in the bark. Fingers of dark brown bark grow deep into the trunk of the tree resembling clusters of grapes. The deranged growth of bark into the lighter wood of the tree trunk results in beautiful patterns of intricate swirls of golden grain interspersed with the dark clusters. Mappa burl has been prized for decades by furniture makers and decorators.

The base of the table is constructed of quarter-sawn walnut. The straight grain, uniform color and simple design contrast and compliment the complex appearance of the mappa burl. The leg pieces are hand shaped into gentle ellipses joined by a stretcher of walnut. The base is attached to the top with pegs, glue and lag screws. The top is finished with hand rubbed polyurethane to a rich luster. The base is finished with a hand rubbed polyurethane oil/blend

Emerging Artist

$7,500

“Kumiko Media Console” by Paul Sauder, Fair Oaks Ranch

Cherry, Walnut, Basswood and Honey Locust. This media console blends minimal design and kumiko lattice work. The curved lotus flower was created by steaming the wood and allowing it to dry while held in a form. The open lower section was design to keep unsightly digital electronics out of sight while still allowing airflow. The playful drawers help break up the symmetry of the design, while adding functional storage. The piece is finished with a natural oil. Please feel free to gently and carefully explore the piece.

Dimensions: 30” high x 60” long x 23” deep

Contemporary

NFS

“Cocktail Table” by Lee Ansell, Houston

This cocktail table is made from an unusually large, roughly oval live-edge slab of mappa burl from the black European poplar tree. An external agent causes deranged growth in the bark. Fingers of dark brown bark grow deep into the trunk of the tree resembling clusters of grapes. The deranged growth of bark into the lighter wood of the tree trunk results in beautiful patterns of intricate swirls of golden grain interspersed with the dark clusters. Mappa burl has been prized for decades by furniture makers and decorators.

The base of the table is constructed of quarter-sawn walnut. The straight grain, uniform color and simple design contrast and compliment the complex appearance of the mappa burl. The leg pieces are hand shaped into gentle ellipses joined by a stretcher of walnut. The base is attached to the top with pegs, glue and lag screws. The top is finished with hand rubbed polyurethane to a rich luster. The base is finished with a hand rubbed polyurethane oil/blend

Emerging Artist

$7,500

“Altar Table” by Bodie Pyndus, Allen

The table is constructed with white oak. The design of the table began with the idea to create an apron to have inlay banding plus stretchers that would create supports in a wedge shape for the crosses in the end of the leg structure. The in- lay is 1/2 inch sections of maple and padouk to build a block of 2.5 to 3.5 inch “bricks.” These were sawed into 1/8” thick for inlaying into the apron. Once the apron inlay was completed, a tenon was cut on each apron to fit into the leg mortise. Extra “straightener” pieces are glued to the back of the apron to keep it straight and from flexing that could cause the inlays to come loose.

A special sled for the band saw was made to cut the stretchers at 27.5 degrees on two edges to produce the wedge that would increase the cross. The cross meets with a half-lap joint in the center. The ends of the cross are housed with a bridle joint into wedged stretchers.

The table top has a matching single row of inlay banding that meets at the corners with yellow heart squares. The table was white-washed at 50% strength white gel then finished with Rubio Monocoat Pure.

This table will reside in the Modern Worship service space of the United Methodist Church of Richardson.

Dimensions: 24” x 48” x 36” tall

Emerging Artist

NFS

“Fibonacci Table” by Bodie Pyndus, Allen

This table was my first attempt to design a piece of furniture, so I did a lot of research to learn how to design. I learned about the Golden Ration, also known as the Fibonacci Ratio. It is a common mathematical ratio found in nature. When used in design, it fosters organic and natural looking compositions that are aesthetically pleasing to the eye. Once I discovered the Golden Ratio (1:1.618) it made easier to design pieces that “look good” and I understood why.

Dimensions: 28” x 17.5” x 28”

The sides and back have book-matched panels made of beech. The top and drawers are made in a contrasting wood - mahogany. The sides are joined to the frame with biscuits and dowels. The back is “floating” using figure 8 fasteners to attach it to the frame. A Minwax stain of Red Gunstock was used on the mahogany. The simple 4” drawer openings were selected instead of drawer pulls, so to not distract from the fluid lines of this design.

This table (or chest if you prefer) has every dimension sized with the Fibonacci ratio. The height of the table is 28 inches. Next (28” * 0.678 = 17.3”) is the depth of top and sides. Next (17.3” * 0.618 = 10.7”) is the size of the bottom drawer, 6.5” is the height of the middle drawer and finally, the bottom drawer is 4”. Even the size of the legs are in sequence, 2” x 3”.

Emerging Artist

NFS

“Entry Table” by T.J. Loughry

This Mid-century inspired piece is the perfect entryway companion. Made of walnut, this piece was created as a luxe space to place keys, phones, and mail. As a side table, it’s the perfect place for a beautiful plant, a cup of coffee (with a coaster!), and your favorite book. Walnut was chosen for this piece to give it a more vintage look, and it was finished in lacquer to help show off the beauty of the wood’s natural grain.

Dimensions: 30” wide x 12.5” deep x 33” tall

Contemporary

$500

“C5” by Marshall Witney, Houston

C5 is an aluminum lounge chair created in the brutalist style. 5052 aluminum is seamlessly welded over an inner skeletonized framework. Built to create comfort without inviting contentment, C5 is layered with Australian sheepskin to bring organic texture to an otherwise functional form.

Contemporary

$9,500

https://raumfurniture.com/

“Wedding Table” by Tom Blanco, Houston

“This wedding table was made for the guests at my son’s wedding to sign their names and write message on instead of writing in a book. It is made from walnut with maple inlays and applied moldings. The top has curved sides and the stretchers are also curved to match the top. The legs are tapered. I applied moldings to match the taper of the legs. The finish began with three coats of shellac. Wedding guests signed that surface and then the signatures were sealed under two coats of waterborn polyurethane.

Emerging Artist

NFS

“Wine(d) Down Leisure Chair” by Jon Percy, Austin

This chair addresses the frequently asked, but rarely answered question: “How far does red wine soak into the white oak barrel staves?” The answer is: “Pretty far.”
The idea for this chair started with the repair of a friend’s damaged chair. I had the honor of recreating the front leg for one of Hans Wegner’s “Papa Bear” chairs that had been damaged during shipping. The front of the frame was shattered, and the front leg was missing. As I repaired that chair, the lines caught my imagination. At some point, I was gifted wine barrel oak staves. They’d been kicking around the shop for years since I really had no plans for them. However, once I saw the Papa Bear chair, I envisioned a chair using barrel staves for all the structural members. The design came together quickly but building it was very challenging since there is almost no straight lines to work from.
A barrel stave goes through some interesting changes during its life. While the oak is still wet, the staves are carved into the desired shape. Then, the green barrel staves are heated by a fire burning inside the circle of staves as the iron rings are hammered into position to force the barrel into shape. That results in a crackly surface on the inside of the stave, and compression of the oak where rings are pounded in place on the outside of the stave. You can see change in grain due to compression on the outside of the staves and you can see the cracks on the inside of the stave. I think the impact of the stave’s previous life gives this new chair an aged, lived-in appearance.
The grooves seen in several of the staves are the grooves cut to hold the barrel heads in place once all the iron rings are pounded into position. I left them to remind the sitter from where the chair evolved. The seat is Danish cord which provides both comfort and keeps the weight of the chair down. After sanding all surfaces to 220 grit, the wooden pieces of the chair were finished with multiple coats of a tun oil/varnish/turpentine blend followed by a coat of wax.

Contemporary

$2,900

“La Piedra” by Barry Rollman, Kerrville

This Texas style piece, titled La Piedra, is both functional and unique. It is perfect for a rustic ranch house, porch or cabin. La Piedra provides for unique, convenient storage of your favorite house wines.

The cedar driftwood is from the bank of an intermittent stream and contains numerous interconnecting voids giving the piece a fossilized appearance that is enhanced by the location of the holes for wine bottles.

The limestone is from a portion of the Glen Rose formation which outcrops on the artist’s property and contains fossils of early cretaceous lifeforms; such as echinoids (sea urchins), bivalves (oysters, scallops and deer hearts) as well as gastropods (snails) - like the tylostoma regina stone monument near the entrance to KACC.

Dimensions: 36” high x 18” deep x 9” wide

Texas Style

$900

“DM” by Danny Kamerath, Llano

This is a commissioned piece. My client, DM, asked me to make a hat rack, also known as a hall tree. I sculpted this visual pun from sepele, also known as African mahogany.

It is finished with Danish oil and micro crystalline wax.

Art Style

NFS

https://dannykamerath.com/

“Queen Anne Lowboy” by Charles Borland, Katy

This Queen Anne lowboy was hand crafted in my home shop. The primary wood is beautiful curly maple selected from a local lumber yard in the Houston area. The hand carved fan on the lower middle front drawer is a common feature on early American furniture. The front drawer dividers are joined with hand cut dovetails. The item features a mortise and tenon case fitted to hand carved cabriole legs. The internals of the case are made from poplar wood. The item features period correct solid brass hardware. The maple was tinted with Transfast water soluble tints and then finished with oil based polyurethane. The top is finished with a fine wax.

Dimensions: 32” long x 18” deep x 30” tall

Traditional

NFS

“Hidden Heart” by Lou Quallenberg, Llano

Glass smooth, stylized, removable mesquite hearts float amid a carved flowing open sculpture resting atop a steel pin inserted into a free form carved mesquite base. This heart sculpture has two removable hearts with one hidden under- neath the other. The finish is extreme hand sanded, oil rubbed with a touch of wax.
Dimensions:
Mesquite Sculpture: 21"H x 14" Lx7" W 2.75" Top Removable Heart
1.50" Tiny Hidden Removable Heart

Art Style

$2,500

http://www.louqart.com/

“Spartan Coffee Table” by Troy Jambers, Whitsett

This mesquite coffee table is made out of locally harvested Mesquite trees from South Texas. The base is modeled after a metal diamond base. If it can be done out of metal, it definitely can be made out of wood. If you look closely, you can see the Spartan head, hence the name Spartan. The base is screwed to the top with metal plate in between, also using cross lap joints to make the diamond. Finished with Tung Oil, boiled Linseed Oil, and mineral spirits mix.

Dimensions: 38” wide x 32” deep x 18.5” tall

Contemporary

$1,600

https://www.arrowjwoodworking.com/

“Simple Life” by Bob Card, Houston

Made from three highly contrasting species of wood, with a touch of gold leaf, both the whirlwind pattern and the relief below were cut freehand.

Whirlwind is made of bloodwood, curly maple, ebony and gold leaf. It has an oil finish.

Dimensions: 6” x 36”

Art Style

$650

https://www.bobcardart.com/

“Whirlwind” by Bob Card, Houston

Celebrating the elegance and beauty that can be found in simplicity, the starburst pattern echoes many elements found in nature. Both the starburst and the | deckle-like edges of the sculpture were cut freehand.

Simple Life is made of curly maple and ebony. It has an oil finish. Dimensions: 12” x 23”

Art Style

$950

https://www.bobcardart.com/

“Bluebird Days” by Wayne Delyea, Granbury

In February of 2022 while working in my shop on a record-setting Eleven below zero snowy day, a small male Eastern Bluebird tapped on the window of my studio as if to get in. He continued this daily routine until Spring and would only fly away if I got too close to the window to take a photo. He and his mate had made a nest in a nearby Woodpecker hole on a Pecan Tree where they raised their young prior to flying North for cooler temperatures. I make furniture with meaning and this little guy sure meant a lot to me. In fact, strangers and friends would come to my shop just to see if he was real. This cabinet is my tribute to my small Blue friend who along with the Alamo truly displays the Spirit of Texas.

I designed the Marquetry first using photos and sketches of him making him slightly larger than life so I had more room for details. He actually sat on a Pecan branch; however they aren’t very pretty in winter and early spring, so I selected a Dogwood Tree with Spring Blossoms. We all look forward to Bluebird Days.

I designed the Marquetry to feature him on a branch that comes up from the bottom of the door and continues all the way around the cabinet ending on the left side near the door. The dark wood of the cabinet is all natural Ebony.

All 4 sides of the cabinet and the apron were made of bent laminations (curves) creating a small footprint while providing quite a spacious interior. Inside I added a small drawer of Granadillo Wood lined with Blue Velvet and topped it off with an Ebony pull. The lighter wood used for legs, top is all solid American Beech.

The small bottom shelf is also made of the same Ebony Veneer and solid Beech. It features an engraving of the Alamo, one of Texas’ most hallowed monuments.

Solid Woods used: American Beech, Ebony solid and veneered, Granadillo, as well as various dyed and natural color veneers from around the world.

Texas Style

$4,600

https://www.waynedelyea.com/

“Terrell Side Table” in Walnut by Gary and Austin Weeks, Wimberly

This table with drawer and shelf features 14 through mortise and tenon joints and a faired intersection of rail and leg. The table has a hand-brushed polyurethane varnished top and oil-finished base. Dimensions: 20" wide x 20" deep x 24" tall

Contemporary

$2,500

https://garyweeks.com/

“Hall or Sofa Table” by Cheri Akers, Edinburgh

This table is made from all Texas Cypress.  The live edge top is made from Pecky Cypress slab from Comfort, Texas: part of the legs are made from the same slab.

The shelf and parts of the legs are made from Texas Cypress from Falfurrias,     Texas.

Most of the worm holes and knots are inlaid with epoxy tinted Ocean Blue.  Other holes and knots were left natural for contrast.

The table is finished with multiple coats of Tung Oil and waxed.

Emerging Artist

$1,800

“Jewelry Chest” by Matthew Hedgepath Smith, Austin

Intended to sit on a table or dresser, this unique cabinet features Hexagon Parquetry drawer fronts made from Curly Maple. The body and base of the cabinet are Cherry, drawers are made of Maple with Ebony accents and Felt lined bottoms. Finish is hand rubbed Oil and Wax.

Dimensions: 8” deep x 13” tall x 9” wide

Contemporary

$1,400

https://hedgepathwoodworks.com/

“Everett Entry Table” by Eric Wise, Georgetown

This entry table was commissioned for a large church in Cedar Park, Texas. It is constructed of flat sawn white oak and finished to match the other pieces already in place. The curves in the legs and grain matched drawer fronts draw the eye to the floating top. This piece is sold but another similar piece can be crafted to fit your space.

Contemporary

NFS